Andrea del Verrocchio, eigentlich Andrea di Michele Cioni (* 1435 in Florenz; † 7. Statue de Bartolomeo Colleoni Et c’est Verrocchio qui l’emporta avec son magnifique cheval représentant le type idéal du “cavallo naturale de strade” (le cheval ordinaire de la rue). English: In 1479 Andrea del Verrocchio began what was to become his most famous work, an equestrian statue of the condottiero Bartolomeo Colleoni, who had died three years before.The work was commissioned by the Republic of Venice.It was the first attempt to produce such a group with one of the horse's legs not touching the base. Verrochio died in 1488, before finishing the work, and the statue was finished by Alessandro Leopardi in 1495. Colleoni also never sacked villages and cities like other condottieri did. Reiterstatue der Kondottiere Bartolomeo Colleoni, 1488 (Bronze) von Andrea del Verrocchio als Kunstdruck kaufen. The Bartolomeo Colleoni Monument is among the best-known works of Andrea del Verrocchio, a Florentine sculptor and painter, and a teacher of Leonardo da Vinci. Verrocchio, retrato ecuestre del Condottiero Bartolomeo Coleoni, Venecia, 1479 Si desde Padua nos trasladamos a Venecia, podremos admirar allí el retrato ecuestre de Bartolomeo Colleoni, realizado por Andrea Verrochio (1435-1488) a partir de … Il se dresse sur le campo dei Santi Giovanni e Paolo à Venise, en face de la basilique de San Zanipolo. ZUSTAND - SIEHE FOTOS. Léonard de Vinci fut son élève … Verrocchio’s most important works were … Mit oder ohne Gemälderahmen. The Equestrian statue of Bartolomeo Colleoni is a Renaissance sculpture in Campo Santi Giovanni e Paolo, Venice, Italy, executed by Andrea del Verrocchio in 1480–1488. He was called Andrea di Michele di Francesco de' Cioni, but for his true name he substituted that of his master, the goldsmith Giuliano Verrocchio. An equestrian statue of Bartolomeo Colleoni by Andrea del Verrocchio auf artnet. Verrocchio is unlikely to have ever seen Colleoni and the statue is not a portrait of the man but of the idea of a strong and ruthless military commander "bursting with titanic power and energy". He became … The grimly determined visage with its furrowed brow, staring eyes and intense expression may have influenced the 'terribilità' of Michelangelo's David. English: In 1479 Andrea del Verrocchio began what was to become his most famous work, an equestrian statue of the condottiero Bartolomeo Colleoni, who had died three years … His two masterpieces, both in bronze, were the "Incredulity of St. Thomas" (1483) and the "Colleone… Seine Geschwister waren der 8 Jahre jüngere Tommaso, eine jüngere früh verstorbene und drei weitere Schwestern. Andrea del Verrocchio hieß in Wirklichkeit Andrea di Michele di Francesco da Cioni, nannte sich jedoch nach seinem Lehrer Verrocchio. House White wine. The second work was the splendid equestrian statue which the Republic of Venice ordered to honour the memory of the celebrated condottiere , Bartolommeo Colleoni of Bergamo , who had commanded the Venetian troops. Naissance Elle met laccent sur le cadre architectural et décoratif, avec la présence notable déléments de nature morte. Andrea del Verrocchio's equestrian statue of Bartolomeo Colleoni, Venetian condottiere, is a masterpiece of Renaissance art. Andrea del Verrocchio. 53 cm, Breite ca. Portraying the condottiero Bartolomeo Colleoni (who served for a long time under the Republic of Venice), it has a height of 395 cm excluding the pedestal. In 1475, the Condottiero Colleoni, a former Captain General of the Republic of Venice, died and by his will left a substantial part of his estate to the Republic on condition that a statue of himself should be commissioned and set up in the Piazza San Marco. La musculature du cheval est traitée de façon particulièrement réaliste et Bartolomeo Colleone, comme l’écrivait Germain Bazin, est représenté « tendu, rassemblant ses rênes, afin de lancer sa monture dans le combat ». Donatello, in his monument at Padua, had partially solved the problem by putting the raised leg on a sphere. Andrea del Verrocchio (/ v ə ˈ r oʊ k i oʊ /, also US: /-ˈ r ɔː k-/, Italian: [anˈdrɛːa del verˈrɔkkjo]; c. 1435 – 1488), born Andrea di Michele di Francesco de' Cioni, was an Italian painter, sculptor, and goldsmith who was a master of an important workshop in Florence.He apparently became known as Verrocchio … Diese ist sehr fein ziseliert, in Form und Ausführung dem Original sehr ähnlich. Andrea del Verrocchio (Italian pronunciation: [anˈdrɛːa del verˈrɔkkjo]; c. 1435 – 1488), born Andrea di Michele di Francesco de' Cioni, was an Italian painter, sculptor, and goldsmith who was a master of an … Bartolomeo Colleoni, Venezia monumento equestre, Monumento in Bronzo del Verrocchio – kaufen Sie dieses Foto und finden Sie ähnliche Bilder auf Adobe Stock The most obvious difference between these images of brute power resides in the torsion of Verrocchio's, Donatello's being confined to a plane. It is the second major equestrian statue of the Italian Renaissance, after Donatello's equestrian statue of Gattamelata (1453). It was unfinished at his death in 1488, although he had completed the figure and horse in clay. 7,20/ 9,60 / 45,00 € Montaribaldi Barbera di Asti La Consolina. Son père est briquetier (fornacio) puis collecteur d’impôt. He was called Andrea di Michele di Francesco de' Cioni, but for his true name he substituted that of his master, the goldsmith … Verrocchio war der Sohn des Ziegelbrenners Michele di Francesco Cioni. Andrea del Verrocchio, Giuliano de’ Medici, c.1475/1478, terracotta with traces of polychromy, overall: 61 x 66 x 28.3 cm (24 x 26 x 11 1/8 in.) He naively stipulated … En 1479 Verrocchio fue llamado a Venecia por la República de la Serenísima para llevar a cabo la que se convertiría en su obra más representativa: el monumento ecuestre de Bartolomeo Colleoni. He naively stipulated that it be sited in Piazza S. Marco, too prominent a place for this potentially dangerous symbol of power. MATERIAL - BRONZE, SOCKEL - MARMOR. ( La statuaire équestre 4) | Wukali. Il s’agit de remplacer la statue de Donatello, Saint Louis de Toulouse, retirée en 1460 de la niche jusque-là réservée au parti guelfe. Andrea Del Verrocchio — Vierge à l Enfant (1470 1475) … Lizenzfrei. He was the son of Michele di Francesco... Medici patronage. 1996 World Monuments Watch . ORIGINALSTATUE (1479) VOM BILDHAUER ANDREA DEL VERROCCHIO STEHT IN VENEDIG. Der Verkäufer … In designing the Tomb of Piero and Giovanni de Medici, Andrea del Verrocchio was finally able to return his gratitude to these two individuals who had done so much for his career. Le premier paiement date du 27 avril 1468. (Florenz 1435-1488 Venedig) Reiterstatuette des venezianischen Condottiere Bartolomeo Colleoni (1400-1475), freistehender, vollplastischer Bronzeguß, patiniert, auf mehrfach profiliertem Steinsockel montiert, Gesamthöhe ca. A favored artist of the ruling Medici family, he created enduring monuments in stone, bronze, clay, and precious metals for the honor and magnificence of the city. Andrea del Verrocchio (1435-88): Biography of Renaissance Sculptor, Famous for Equestrian Statue of Bartolomeo Colleoni Candelabros Lampara De Aceite Portavelas Iluminación Lámparas De Techo Pisos Candlestick, Andrea del Verrocchio, 1468 - 1469 - Rijksmuseum [7] That copy was moved to Warsaw in 1948, were it was eventually installed outside the Academy of Fine Arts as an inspiration to students. Verrocchio was the first to solve the problem in having the horse supported by three legs. The Forteguerri Monument. 0,375 bottle 38,00 € Terra Blanca Dolcetto Brichet. His war machine, embodying belligerent force, is dressed in contemporary armour, whereas Gattamelata wears pseudo-antique armour. Le sujet est L’Incrédulité de Saint Thomas. In 1496, the statue was erected on a pedestal made by Leopardi in the Campo SS. Verrocchio must have learned the art of marble carving from Desiderio and the most outstanding example of this training is the present bust. Statue équestre en bronze du Colleone, d'après Verrocchio Grande statue équestre en bronze doré à l'allure nerveuse et majestueuse représentant le condottiere Bartolomeo Colleoni. On sait peu de choses sur ses années de formation. Andrea del Verrocchio: Madonna Reiterbildnis des Bartolomeo Colleoni vor Zanipolo Andrea del Verrocchio, eigentlich Andrea di Michele Cioni (* 1435 oder 1436 in 5,50 / 7,30 / 34,00 € Inycon Grillo. Verrocchio s monument of Colleoni scarcely differs from older equestrian monuments which cities commissioned during the 15th century to honour the outstanding services rendered by their condottiere, such as Donatello's Gattamelata in Padua. Après la paix de Lodi (1454), les Vénitiens le neutralisent en lui concédant une immense fortune. A competition was held and Verrocchio sent a life-size wax model of the horse in 1483. Verrocchio: Le Colleone. Wir fertigen Ihr Gemälde genau nach Ihren Wünschen. Elle se dresse sur le campo dei Santi Giovanni e Paolo à Venise, face à la basilique de San … Home Künstler Kunstwerke Kaufen Über uns Buy 3 prints and get 25% + 10% off on all items. Three sculptors competed for the contract, Verrocchio from Florence, Alessandro Leopardi from Venice and Bartolomeo Vellano from Padua. Sein erster Kriegseinsatz war im Jahr 1419 in Süditalien. Gemälde , Gemälde … Il devient membre de la guilde des sculpteurs en 1469 et membre de la guilde des peintres en 1472. Bartolomeo Colleoni (auch Coleone; * um 1400 in Solza bei Bergamo; † 4. Cette sculpture en bronze est une fonte ancienne datant de … Le Baptême du Christ est un tableau commencé par Andrea del Verrocchio et achevé par Léonard de Vinci entre 1472 et 1475. 9,00 / 12,00 / 55,00 € White Wines. Il finit ses jours en rongeant son frein dans son château de Malpaga. Die Maße: Gesamthöhe 33 cm, 35 cm x 16 cm, Gewicht: 8 KG. Reiterstandbild Bartolomeo Colleoni Andrea del Verrocchio. Andrea del Verrocchio, (born 1435, Florence [Italy]—died 1488, Venice), 15th-century Florentine sculptor and painter and the teacher of Leonardo da Vinci.His equestrian statue of Bartolomeo Colleoni, erected in Venice in 1496, is particularly important.. 1890. C'est le «Colleone» de Venise, coulé juste avant la mort de l'artiste dans cette ville en 1488. Verrocchio made a model of his proposed sculpture using wood and black leather, while the others made models of wax and terracotta. Bartolomeo entstammte dem alten Adelsgeschlecht derer von Colleoni aus Bergamo. Andrea del Verrocchio (c. 1434/1437–1488) won acclaim as a sculptor and painter in Florence during the later fifteenth century, an age of extraordinary artistic flowering and enlightened patronage. When he died, he left a large sum to the Republic of Venice for the Turkish war, with a request to erect an equestrian statue of himself in the Piazza San Marco, ‘in front of the St Mark’. im Details. Zu Album hinzufügen. Gültig:02/12/2020. Bei uns erhalten Sie eine original Bronzeguß-Statue von ca. Portrait of Verrocchio by Nicolas de Larmessin Andrea del Verrocchio Andrea di Michele di Francesco de' Cioni Little accurate biographical information is known about Verrocchio. In his will, he enjoined his pupil Lorenzo di Credi to finish it, but this responsibility was transferred in 1490 to the Venetian bronze caster Alessandro Leopardi (who designed the base and signed on the horse's girth). Über frühe Jahre ist nur wenig Gesichertes bekannt. Er wurde im Jahre 1435 als viertes Kind des Ziegelbrenners Michele di Francesco Cioni und dessen Frau Gemma in Florenz geboren. (#155000) Vierge avec saint Jean-Baptiste et Donatus (1475-83). National Gallery … Verrocchio réussit le tour de force de sculpter un groupe de deux personnages malgré l'étroitesse de … Finden Sie aktuelle Lose und Lose vergangener Auktionen von Andrea del Verrocchio. Colleoni stands erect in his stirrups to regard his enemy in violent contrapposto, while his horse turns and raises one hoof without support. [** Andrea Del Verrocchio *] (1435-1488) fut un très réputé sculpteur, peintre et orfèvre florentin. Mais le nom du « Colleone » serait sans doute moins connu si Andrea Verrocchio … November 1475 auf der Burg Malpaga in Cavernago) bei Bergamo war ein italienischer Feldherr condottiere der Renaissance. Il est exposé à la Galerie des Offices de … Reiterstandbild von Colleoni, 1481 von Andrea Del Verrocchio (1435-1488, Italy) | Museum Kunstreproduktionen Andrea Del Verrocchio | WahooArt.com. MAßE - ca.330x260x120mm, GEWICHT - ca.6,4kg. Andrea del Verrocchio wurde 1435 als Sohn eines Ziegelbrenners in … Aller voir le Colleone à Venise. Donatus Magnus (4e siècle) est un évêque dAfrique du nord qui déclencha un schisme. The Colleoni Coat of Arms "I do not believe that there is a more glorious work of sculpture existing in the world," wrote John Ruskin (1819-1900). The great Victorian writer was referring to the bronze equestrian statue of Bartolomeo Colleoni (1395-1475), which was modelled by a Florentine, Andrea del Verrocchio (1435-88), and cast by a Venetian, Alessandro Leopardi (1466-1512). Aus Nachlaß, sehr dekorative Reiterfigur des Bartolomeo Colleoni, das Original steht in Lebensgröße in Venedig. Die Statue von Bartolomeo Colleoni ist wohl die berühmteste Reiterstatue der Welt. 53 cm, Breite ca. [8] In 1992 the City of Sczeczin petitioned for the return of the copy, which was granted in 2001, and in 2002 it was installed in Szceczin's Plac Lotników (Airmen's Square) and unveiled by the President of Sczeczin and Colleoni's descendant, lawyer Guardo Colleoni. 9,00 / 12,00 / 55,00 € Verrocchio Amarone della Valpolicella Classico. Colleoni himself was noted as a patron of … Both depictions have a more or less similar position of rider and horse, derived from the most famous equestrian monument of the age, the classical Roman equestrian monument of Marcus Aurelius. His most famous sculpture includes the monument of Bartolommeo Colleone on horeseback in Venice, and the sphere on top of the lantern crowning the dome of Florence cathedral. Jahrhundert. Bartolomeo Colleoni Verrocchio, statue équestre de Bartolomeo Colleoni Condottiere italien (Solza, près de Bergame, 1400-Malpaga, près de Bergame, 1475). Andrea del Verrocchio — Andrea del Verrocchio, born Andrea di Michele di Francesco de Cioni, (c. 1435 ndash; 1488) was an influential Italian sculptor, goldsmith and painter who worked at the court of Lorenzo de Medici in Florence. Andrea del Verrocchio et Lorenzo di C… Andrea del Verrocchio. The Bartolomeo Colleoni Monument is among the best-known works of Andrea del Verrocchio, a Florentine sculptor and painter, and a teacher of Leonardo da Vinci. Leonardo is said to have painted an angel in Verrocchio's 'Baptism of Christ' (Uffizi, Florence) which was so beautiful it prompted Verrocchio to retire from painting and concentrate on sculpture. Hochwertige Museumsqualität aus österreichischer Manufaktur. Little accurate biographical information is known about Verrocchio. In 1479 the Venetian authorities had decided to erect a monument to the mercenary Bartolomeo Colleoni of Bergamo who had died in 1475, leaving funds for an equestrian in his honour. Auf Leinwand gespannt oder Foto. [5] This is in contrast to Donatello's statue at Padua of the condottiere known as Gattamelata with its "air of calm command" and all Verrocchio's effort "has been devoted to the rendering of movement and of a sense of strain and energy".[6]. Le premier paiement date du 27 avril 1468. From the Catholic Encyclopedia Born at Florence, 1435; d. at Venice, 1488. In den 1460er Jahren wandte er sich auch der Malerei zu. Portraying the condottiero Bartolomeo Colleoni, … La musculature du cheval est traitée de façon particulièrement réaliste et Bartolomeo Colleone est représenté tendu, rassemblant ses rênes, afin de … Il doit son surnom, Il Verrocchio, à son premier maître, l’orfèvre Giuliano Verrochi. Oktober 1488 in Venedig) war als Bildhauer und Maler einer der einflussreichsten Künstler in der Übergangszeit von der Früh- zur Hochrenaissance.. Leben. Verrocchio based the sculpture on Donatello's statue of Gattamelata, as well as on the ancient statue of Marcus Aurelius in Rome, the St. Mark's Horses in Venice, the Regisole (a late antiquity work in Pavia, now lost), and the frescoes of the Funerary Monument to Sir John Hawkwood by Paolo Uccello and of the Equestrian Monument of Niccolò da Tolentino by Andrea del Castagno. Cette composition complexe sert de retable dans le Duomo de Pistoia. 46 Beziehungen. Dans son atelier furent formés [** Lorenzo Di … Erfahren Sie mehr zu Kunstwerken in Galerien, Auktionslosen, Kunstmessen, Events, Biografiedetails, News und vieles mehr von Andrea del Verrocchio. Andrea del Verrocchio's equestrian statue of Bartolomeo Colleoni, Venetian condottiere, is a masterpiece of Renaissance art. COMENTARIO DE UN RETRATO ECUESTRE: EL CONDOTIERO COLLEONE DE VERROCCHIO Catalogación: Es una fotografía de un retrato ecuestre, del escultor florentino del siglo XV, Andrea Verrocchio… La statue dégage une impression de puissance et de tension. Alle Größen anzeigen. Die Antike Bronzestatue geht auf ein Original von Andrea de Verrocchio zurück, die in Venedig auf dem Campo Santi Giovanni im Original zu bestaunen ist. Andrea del Verrocchio Andrea di Michele di Francesco de' Cioni. Andrea del Verrocchio, eigentlich Andrea di Michele Cioni (* 1435 in ... Der Colleoni beeinflusste die Entwicklung der Reiterstandbilder bis in das 19. Although it was not placed where Colleoni had intended, art historian Passavent emphasised how fine it looks in its actual position, writing that "the magnificent sense of movement in this figure is shown to superb advantage in its present setting"[3] and that, as sculpture, "it far surpasses anything the century had yet aspired to or thought possible". BARTOLOMEO COLLEONI (1400 - 1475) DER SÖLDNERKOMMANDANT & FELDHERR ITALIENS. The main problem he had to face was of statics: representing the horse while moving, with a raised leg, could cause stability problems due to the excessive weight of the bronze being supported only by three relatively thin legs. Giovanni e Paolo, where it stands today.[1][2]. In 1909 an electrotype copy of the statue was made for the cast and copy sculpture collection of what would become the National Museum in Sczeczin, Poland. Andrea del Verrocchio ( italienische Aussprache: [andrɛːa del verrɔkkjo]; c. 1435-1488), geboren Andrea di Michele di Francesco de‘Cioni, war ein italienischer Maler, Bildhauer und Goldschmied, der ein Meister einer wichtigen Werkstatt in war Florenz.Er wurde offenbar als bekannt Verrocchio nach dem Namen seines Herrn, Goldschmiedin. Tempera sur bois, 189 × 191 cm, Duomo, Pistoia. Retouren Die ganze Zeit. He then opened a workshop in Venice and made the final wax model which was ready to be cast in bronze, but he died in 1488, before this was done. Oktober 1488 in Venedig) war als Bildhauer und Maler einer der einflussreichsten Künstler in der Übergangszeit von der Früh- zur Hochrenaissance. Verrochio died in 1488, before … Donatello's image is calm, abstract, dignified and universal; Verrocchio's is specific, vigorous and dynamically active. L‘Anonyme Gaddiano, dans un manuscrit rédigé vers 1530 , le présente comme un élève de Donatello, une information que ne reprend pas Vasari . Die Figur ist um 1890. Il est lœuvre du sculpteur florentin Andrea Del Verrocchio, qui y a travaillé à partir de … Andrea del Verrocchio naît en 1435 à Florence. [4] He points out that both man and horse are equally fine and together are inseparable parts of the sculpture. GIULIANO de’ MEDICI Terracotta. A competition was arranged to enable a sculptor to be selected. 8,00 / 10,50 / 50,00 € Frescobaldi Castiglioni Chianti. Zu Album hinzufügen. Der Vater starb in der zweiten Hälfte der 1450er Jahre und Verrocchio wohnte mit seiner Stiefmutter im Borgo von San Ambrogio in Florenz. Verrocchio — (Andrea di Cione, dit del) (1435 1488) sculpteur, orfèvre et peintre italien: statue équestre de Bartolomeo Colleoni (1481 1488, Venise). Born at Florence, 1435; d. at Venice, 1488. Jh.) (Verrocchio's is technically more advanced.) He had asked that his pupil Lorenzo di Credi, who was then in charge of his workshop in Florence, should be entrusted with the finishing of the statue, but the Venetian state after considerable delay commissioned Alessandro Leopardi to do this. Verrocchio a repris la formule employée par Donatello pour son Gattamelata : le cheval va l'amble, les deux jambes se déplaçant du même côté. Der Verkäufer ist für dieses Angebot verantwortlich. But Verrocchio erred in making so much of the draperies, for this exaggerated realism greatly distracts the attention from a subject so pathetic in itself. Reiterbildnis des Bartolomeo Colleoni in Venedig, Bronze, 1493 Andrea del Verrocchio, eigentlich Andrea di Michele Cioni (* 1435 in Florenz; † 7. Il fit l'essentiel de sa carrière militaire à Venise, … Andrea del Verrocchio. zu Ehren des Condottiere Colleoni (1400-1476): Die stolze Haltung des Reiters, sein wilder Ausdruck und die aufbrausende Bewegung des Pferdes bilden ein beeindruckendes Gesamtbild, das der imposante Sockel noch majestätischer erscheinen lässt. Le dallage au sol et le tapis oriental permettent de matérialiser la perspective linéaire. For sculptures Verrocchio would often create wax models of his planned design. Tras su fallecimiento, la Señoría de Venecia encargó el término de … La Statue équestre de Bartolomeo Colleoni (ou Colleone ou Coleone) (1400-1475) par Andrea Verrocchio (1435-1488) Statue de Bartolomeo Colleoni En arrivant par le Ponte del Cavallo (le pont du cheval), on aperçoit à droite de l’église San Giovanni e Paolo la statue équestre du Colleoni, … Tobie et l'Ange (1470-1475). Andrea del Verrocchio’s bronze statue of Colleoni (in Venice, 1483–88) is considered one of the finest equestrian statues of the Italian Renaissance. Hinzugefügt: 20 Sep, 2018 by xennex Letzte Änderung: 6 Mai, 2020 von xennex Maximale Auflösung: 1144x1024px Quelle. La Statue du Colleone est une statue équestre en bronze représentant le condottiere Bartolomeo Colleoni. Early life. La Statue du Colleone est une statue équestre en bronze représentant le condottiere Bartolomeo Colleoni.Elle se dresse sur le campo dei Santi Giovanni e Paolo à Venise, face à la basilique de San Zanipolo.Elle est l’œuvre du sculpteur florentin Andrea Del Verrochio qui y travailla de … The marble monument erected in memory of Cardinal Fortteguera in the cathedral of Pistoia was designed by Verrocchio but executed by his pupils. Verrocchio war der Sohn des Ziegelbrenners Michele di Francesco Cioni. Andrea del Verrocchio, Sketch Model for the Monument of Cardinal Niccolò Forteguerri, 1476, terracotta, Victoria and Albert Museum, London (on view in the … Seine Porträtbüsten, die Naturalismus und Idealisierung vereinen, wurden von der Antikensammlung der Medici inspiriert. Un dernier sommet ne pouvait celui-ci en aucun cas faire le voyage. The three models were exhibited in Venice in 1483 and the contract was awarded to Verrocchio. Zweifellos war Andrea del Verrocchio der führende Plastiker seiner Zeit, wie „Christus und der hl. His pupils included Leonardo da Vinci … Wikipedia. Die Figur befindet sich in einem super Zustand. Andrea del Verrocchio; c. 1435-1488), born Andrea di Michele di Francesco de' Cioni, was an Italian painter, sculptor, and goldsmith who was master of an important workshop in Florence. Il s’agit de remplacer la statue de Donatello, Saint Louis de Toulouse, retirée en 1460 de la niche jusque-là réservée au parti guelfe. Andrea Verrocchio, der Meister Leonardo da Vincis, entwarf dieses Reiterstandbild (15. fiktives Porträt Bartolomeo Colleonis (vor 1568) Leben. El Condotiero Colleone de Verrocchio 1. À la mort de Donatello, il devient l… However, no monument of any kind was allowed in this square.